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It’s no secret I’m a huge fan of the latest edition of Dungeons & Dragons. A not-so-quick trip back through the archives of my blog give that away. One of the things I love about the game is how streamlined it is, compared to 3.5e and 4e. It’s still a very robust set of rules, but it manages that without a great deal of clutter. One of the benefits of this, I’ve found, is greater latitude for DMs to customize and house rule for their own campaign.
When I first looked at the rules for magic item creation, I was impressed by how simple they were. The rarity of the item determines how much the material to create it will cost, and in turn that determines how long it will take to construct. For instance, if you want to make a Common item, it costs 100gp and will take a single person 4 days to create (half that cost/time if the item is a consumable item like a potion or scroll). There are a few additional rules about spells used and whether multiple crafters are working on an item, but that’s the gist. I like it; it’s enough of a cost in time/money to keep item creation from being something the players will take for granted, while still allowing it to be an option for just about any character with the necessary levels and tool proficiencies.
As much as I like the rules, though, I feel they’re missing something: the magic. As written, the process is very transactional, almost like buying the item with time and money. But think about it: the character is drawing upon one of the key forces in the universe to craft an item which essentially makes magic manifest. Crafting a magic item should be an event. There should be stakes involved, and sometimes a cost beyond just gold and days spent in toil.
So here are a few ideas I have for putting some magic back in item creation, with the rules as written as the base-level process. At the DM’s discretion, these can work to either shorten the amount of time it takes to craft an item, and/or reduce the crafting costs. Or perhaps, if the characters make poor choices, increase the time or gold spent. And there may be other consequences. After all, cursed items have to come from some where, right? For all of these, the more rare the item desired, the more effort should be involved in assembling the right components. For the very rarest items, assembling the elements of a successful crafting could form the basis of an entire series of adventures.
Location, Location, Location – Where is the character carrying out the crafting? Are they carefully illuminating that healing scroll in the divine scriptorium of a cathedral, or scribbling it out in their room at the inn? Are they crafting that ring of fire elemental command at the local jewellers, or did they set up their workshop next to an active lava flow to better connect to the element? If a character is just brewing up a basic potion it might be okay to use the kitchen at the inn for a few days. But the grander the item being crafted, the more impressive the location or environment should be. Encourage the players to let their imaginations to run to the extreme and exotic. And then craft an adventure around getting them there.
Only the Finest Ingredients – It’s assumed that the cost of crafting covers special ingredients. You can’t just scribble out a magical scroll with a ball-point pen, after all. Scrolls need special inks, magical armour needs rare or specially mined ores, and wondrous items need…the sky’s the limit, really. So maybe the character doesn’t have the money on hand to scribe that scroll of fireball. But she does have that vial of fire giant blood she kept for…reasons. Maybe if she mixed that with a bit of rare ink? Again, let the players’ imaginations come up with connections between the odd and rare items they come across in their adventures and items they’d like their characters to create. At some point they might move from using the oddities they’ve found to figuring out where to hunt down the oddities; now the DM has a whole new set of adventures to use.
Collaboration is Key – For many of the items, a character will have to find help in their crafting. While a puissant wizard brimming with arcane skill, they just don’t have the smithing chops to craft the sword the party fighter dreams of wielding. Sure, the local blacksmith might do for the “average” magic sword. But only Angmar Granitethews of the Golden Hammer School of Smiths will do to craft the weapon you need. Of course, these craftspeople didn’t get where they are by taking every commission that walks through their door. Or maybe they did, so why should they put those jobs aside to assist you? You might get their attention with bags of holding full of gold, but maybe riches aren’t what they need. And off the party goes, on a whole new set of adventures to secure the services of Scandibar of the Winding Way, Most Cunning of Arcane Artificers.
What Are You Prepared to Do? – It’s a fairly common trope that wielding the most powerful magic items can come with a cost. Shouldn’t crafting them cost something as well? Need that scroll but can’t afford to spend two days? Maybe you work a 16-hour day but take a level of exhaustion that takes longer to get rid of. That special sword you wanted may just require that you use only it, eschewing all other blades if you want the magic to work for you. Maybe that staff of the magi needs a bit of actual magi as part of the creation and after all, do you really need ten fingers? And when we start talking about sacrifice, the players and the DM will have to decide how far they want to take that. Is an alignment shift worth it to get the item made just right? Maybe, and the story of that decision makes for a great adventure.
The common thread through all of these points is to encourage the players to use their imaginations. Not all players will be into it, or you may decide that common items don’t need this level of detail. But even if you only use it for the most powerful items, working these elements into your magic item creation can help bring a sense of wonder to magic items in your campaign.